The obit read: “Elmore Leonard, crime fiction writer, died on August 20th, aged 87.” I didn’t catch up with that news until I opened my issue of “The Economist” (August 31, 2013) to the obit page: There was the author looking miffed, shaking a fist at me. Sorry, I thought: I’ve been meaning to read something of his ever since we graduated together August 1949 from the Jesuit University of Detroit, he with a business degree, mine in philosophy; we were eras apart from the start.
And psychologically
even more distant. He started out writing ad copy for Chevrolets. I
despised the Car Culture that corrupted the emerging metropolis. And
I confess I was something of a Patsy, never in a fistfight in my
entire life. (Still true!) And yet my closest UD chum, Henry B.
Maloney (“Call me Hank!”) was a Leonard Freak. Checking Google
today, Henry was quoted in the first six citations! Partly
geographical: Hank lived in Troy, due North from Detroit Proper, and
Kitty Korner from the Upper Sloburb Bloomfield Hills where Leonard
lived like a prince. (I lived due East of UaD where the Nouveau
Pauvre were invading their first new house, courtesy of FDR’s New
Deal.
So instead of
attending his Funeral Mass, I checked out the expat American’s
secret weapon, the Universal Library Union whereby you can order by
computer for 1.5 Euros whatever American book your German library
didn’t have, and didn’t care! (Nearly everything!) Bless
Göttingen University, a required pitstop for intellectually upward
Amis as early as the beginning of the 19th
century. Before the week was out, I held his “Road Dogs” (William
Morrow, 2009) for a month if necessary
Taught to climb the
shoulders of other better informed citizens, I Googled the poet
Robert Pinsky’s review (New York Times, May 28, 2009): In his
review,”Playing Dirty”he characterized the novel as “about the
varying degreees of truth and baloney in human
relationships.Sometimes the truth or the baloney is lethal. Droll and
exciting, enriched by the self-aware, what-the-hell-why-not
insouciance of a master now in his mid-80s,”Road Dogs”—underlying
its material of sex, violence and money, and beyond its cast of cons
and thugs and movie stars—presents interesting questions.”
Leonard had the
chutzpah to rerun old characters in new books. Or maybe this strange
habit derived when he began writing western tales in the 1950’s
for two cents a word. Three retreads bear the burden of this novel.
There’s Cundo Roy, a Cuban Castro bequeathed to America that became
great friends with another export, Jack Foley, the esteemed anti-hero
who preens with the fact that he has robbed more banks than anyone
else in history. (So far as we know! A Fed who tries to put him back
in jail is writing a novelized biography of Jack—and hopes he’ll
do another robbery—to hype the book he is finishing.” (Another
novel centers on Jack’s seducing the girlfriend of that Fed!) All
characters seem to need to be ready to be reused in another story
line.”
Finally, there’s Dawn, a really raunchy broad who is
waiting for Cundo to be freed from the prison where he got to be a
great friend of Jack. I don’t think you’ll surprised to learn
that Jacks bangs and bangs Dawn until the sun comes up. Again and
again. Another motif is that they all have fiscal assets, Cundo’s
being two million dollar mansions in Venice, California! And they
fantasize without end on changing those ownerships.
I’m
not going to spoil your weekend by telling you which of the three
kills of the remaining characters. I recently stumbled on German
across a film based on his “Jackie Brown” novel. She’s an
airline stewardess serving Mexico. Her second job is taking stolen
drug funds in and out of the country. Her ATF contacts compromise her
so she has to do away with them. HoHum. I look forward to seeing “Out
of Sight” a Steven Soderbergh film starring George Clooney, on
another Leonard novel. Heh, Hank’s daughter Caitlin was even aide
to Soderbergh for several years. It’s a tight life supplying L.A.
I must conclude with a Leonard lark over Catholicism in “Road
Dogs”.
Chapter Twenty-Two(for impatient readers) concerns a minor
character Little Jimmy who has a heavy conscience crisis.The sinner
is on his knees in a confessional. Jimmy confesses: “Bless me
father for I have sinned. It has been twenty-seven years since my
last confession.” “Twenty seven years?” the stunned padre
replies “Yes, Father. Since the I have missed Mass almost 1400
times.” And so on, implausibly. It turns out Jimmy was gay and
didn’t think doing it with dudes was a sin!
It’s called comic
relief! You’ll love him. But not as often as Jack scores with Dawn,
in the early light.
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