Reading “The Art of Tony Auth” (Camino Books Inc, P.O Box 52096, Philadelphia 19102, 2012) is a historic event for me, like meeting a favorite teacher, who turned you on to thinking as a profession. Tony turned me on to believing that the maturing of the editorial cartoon in America is a “sine qua non” if we are ever to mature as a civilized society.
Alas, it scared me
at first to read here that 200 regular American newspaper cartoonists
(when Tony began nationally in 1971) has shrunken to a piddling 80.
As I bleakly thought the more, I remembered his sudden recent
emergence as the digital cartoonist at WHYY-TV. Heh I suddenly
realized it matters not what’s in the scabbard, as long as the
blade is as sharp as Tony’s always is. “To Stir, Inform and
Inflame” indeed.
I also enjoyed
learning about his L.A. past. His passion for drawing seems to have
been motivated by his having been bedridden young. And his UCLA
education in medical illustration deepened this professionalism. He
began as a teacher, period. And he sought cartoonish outlets in
leftie and “alternative” media. (Shades of “Professor” Hazard
peddling himself at the “Welcomat”.)
But Tony had to
break into middle class newspapers like the Inky whose First
Commandment was “Don’t meddle with the Muddle of our middle class
readers”. To watch Tony maneuver with the Inky’s editor without
compromising his leftish ideals is as salutary an episode of media
courage as I have observed as an ornery leftie! It’s worth the
price of the book itself.
But the memorable
cartoons are the main course, especially his retelling the issues of
the Presidencies between LBJ and Obama. I solemnly declare that any
historians assessing those Leaders had better
begin with Tony’s pen! I could list my faves, but why deny you a
clean sheet to wallow in your own Auth.
I consider it
historic that Tony’s gift of the catalog arrived the day The
International Herald Tribune became the International New York Times!
I started reading that paper daily as I entered graduate school in
1950. My fidelity to Tony began in 1971 and never wavered.
Thanks for
the Melodies, Tony. You gave eyes a life.
Another version of this essay is published by Broad Street Review.
Another version of this essay is published by Broad Street Review.
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